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Individualization of head-related transfer functions (HRTFs) can be realized using the person’s anthropometry with a pre-trained model. This model usually establishes a direct linear or non-linear mapping from anthropometry to HRTFs in the training database. Due to the complex relation between anthropometry and HRTFs, the accuracy of this model depends heavily on the correct selection of the anthropometric features.

In spatial audio analysis-synthesis, one of the key issues is to decompose a signal into primary and ambient components based on their spatial features. Principal component analysis (PCA) has been widely employed in primary component extraction, and shifted PCA (SPCA) is employed to enhance the primary extraction for input signals involving the inter-channel time difference. However, SPCA generally requires the primary components to come from one direction and cannot produce good results in the case of multiple directions.

In spatial audio analysis-synthesis, one of the key issues is to decompose a signal into primary and ambient components based on their spatial features. Principal component analysis (PCA) has been widely employed in primary component extraction, and shifted PCA (SPCA) is employed to enhance the primary extraction for input signals involving the inter-channel time difference. However, SPCA generally requires the primary components to come from one direction and cannot produce good results in the case of multiple directions.

With the strong growth of assistive and personal listening devices, natural sound rendering over headphones is becoming a necessity for prolonged listening in multimedia and virtual reality applications. The aim of natural sound rendering is to naturally recreate the sound scenes with the spatial and timbral quality as natural as possible, so as to achieve a truly immersive listening experience. However, rendering natural sound over headphones encounters many challenges. This tutorial article presents signal processing techniques to tackle these challenges to assist human listening.

Primary-ambient extraction (PAE) has been playing an important role in spatial audio analysis-synthesis. Based on the spatial features, PAE decomposes a signal into primary and ambient components, which are then rendered separately. PAE is performed in subband for complex input signals with multiple point-like sound sources. However, the performance of PAE approaches and its key influences in this case have not been well studied so far. In this paper, we conducted a study on frequency-domain PAE using principal component analysis in the case of multiple sources.

Primary-ambient extraction (PAE) has been playing an important role in spatial audio analysis-synthesis. Based on the spatial features, PAE decomposes a signal into primary and ambient components, which are then rendered separately. PAE is performed in subband for complex input signals with multiple point-like sound sources. However, the performance of PAE approaches and its key influences in this case have not been well studied so far. In this paper, we conducted a study on frequency-domain PAE using principal component analysis in the case of multiple sources.

Primary-ambient extraction (PAE) has been playing an important role in spatial audio analysis-synthesis. Based on the spatial features, PAE decomposes a signal into primary and ambient components, which are then rendered separately. PAE is performed in subband for complex input signals with multiple point-like sound sources. However, the performance of PAE approaches and its key influences in this case have not been well studied so far. In this paper, we conducted a study on frequency-domain PAE using principal component analysis in the case of multiple sources.

In spatial audio analysis-synthesis, one of the key issues is to decompose a signal into cue and ambient components based on their spatial features. Principal component analysis (PCA) has been widely employed in cue extraction. However, the performance of PCA based cue extraction is highly dependent on the assumptions of the input signal model. One of these assumptions is the input signal contains highly correlated cue at zero lag. However, this assumption is often unmet.

In spatial audio analysis-synthesis, one of the key issues is to decompose a signal into cue and ambient components based on their spatial features. Principal component analysis (PCA) has been widely employed in cue extraction. However, the performance of PCA based cue extraction is highly dependent on the assumptions of the input signal model. One of these assumptions is the input signal contains highly correlated cue at zero lag. However, this assumption is often unmet.

In spatial audio analysis-synthesis, one of the key issues is to decompose a signal into cue and ambient components based on their spatial features. Principal component analysis (PCA) has been widely employed in cue extraction. However, the performance of PCA based cue extraction is highly dependent on the assumptions of the input signal model. One of these assumptions is the input signal contains highly correlated cue at zero lag. However, this assumption is often unmet.